“I saw the angel in the marble and I chiseled until I set him free.”

–Michelangelo

In the early days of shooting “The Sound of Music,” actor Christopher Plummer (Captain von Trapp) hated the film.  It has been reported that he worried his association with it would be “career suicide.”  In his mind, it was too sweet, too syrupy and too schmaltzy.   Among the cast and crew he referred to the project as “The Sound of Mucus.”  Upon seeing the finished product before its premiere, however, he remarked, “I suddenly realized what a gloriously beautiful production it was.”

Like Plummer, I sometimes have difficulty envisioning a triumphant final production in the midst of rigorous rehearsal.  I see no angels in blocks of marble itching to flap their wings on a glorious flight to heaven.  On days when spotlights blow, when costumes rip, when microphones fail and Murphy’s Law runs rampant, I can only envision the big blobs of heavy marble—usually on my foot.

It is at those times I sometimes ask myself, “Self—why are you doing what you are doing? Why bother? So what?”

And then I take a few moments to recall why we are doing what we do at LifeHouse Productions.  After a bit of reflection, I roll up my sleeves and dig back in.  Why?…

By the end of the sixth grade, the average youngster has seen at least 5,000 murders on television.  Teen magazines are saturated with celebrity worship and the latest news about people almost no one will remember next year.  Novels and films aimed at teens are filled with depictions of gang life, drug use, hate crimes, and of course, vampires and other creepy creatures unwilling to die.  Speaking of death, one can see a lot of it in many of the “games” available to play—complete with the latest in virtual guts and gore.  Many of the “superheroes” of film and comic books are not as “super” as they once were, indulging in everything from voyeurism to voodoo.  Television’s “My Three Sons” gave way to “My Two Dads” decades ago and now we have the fantasy worlds of unrealistic “reality” programs.

It is probably more than a strange coincidence that every day in America 8,441 teens become sexually active, 2,756 teens become pregnant, and 1,340 babies are born to teenage mothers. Already this year, 47 shootings have occurred in or near schools in New York City alone.  While many factors figure in, the  seeds of negative media have been sown for many years and now we reap a sorry harvest of social ills.  Even the most conscientious parents have daunting challenges helping young people battle unbelievable peer pressures and daily assaults to the senses from “media” and “entertainment” that have all but wiped out the innocence of childhood.

Of course, as King Solomon observed many centuries ago, there is “nothing new under the sun.”  Modern scholars tell us that scandalous graffiti can be found on the walls of ancient Egyptian ruins.  So it has been and always will be in this fallen world.  But in these times of the worldwide web, a thousand TV channels, five thousand movie theaters, video on demand, one-hour news cycles, radio shock jocks, racist rap, Jerry Springer and tweets from twits, the onslaught of values contrary to what all societies have traditionally upheld since civilization began has never been greater.

We can wring our hands, throw up our hands, or put our hands to work.  Perhaps barbarians in spheres of influence call the shots because people of faith have been missing in action.  Their absence is tragic at a time when our arts/media/entertainment-oriented culture so desperately needs their active involvement.

It’s time to recapture creative spheres of influence for the Author of all creativity. That is why I do what I do and why LifeHouse does what it does. We prepare and produce productions aimed at exerting a positive, inspirational influence on children and adults of all ages.  And we’re working to expand this influence by exporting it through cable broadcasts, audio drama on CD and syndicated radio.  We may not change the world, but we can brighten our corner of it.  Our hope is to utilize the dramatic arts in a way that creatively arrests the senses of people who might not ordinarily consider spiritual matters or the “big picture” of life questions such as, “Who am I?  Why am I here?  Where am I going?”

We’ve seen what we do make a difference—not only in audiences, but also on stage and behind-the-scenes.  It’s so encouraging to read some of the mail that has recently crossed my desk.  A parent wrote:

“Our son and daughter are more confident and outgoing since joining LifeHouse…We’re so excited to      see them growing in such a caring, positive atmosphere.”

While I’m pleased to report that letters such as this one from parents are not unusual, it’s even more exciting to receive letters from young people affected by their association with LifeHouse.  Some recent samples:

• “I realize now from my time in several casts that I don’t need to hang around gangs.  That life is so empty and dead-end.  LifeHouse has shown me there is so much more I can do.”
• “My life was getting out of control and I didn’t realize how bad off I was.  Then I met a whole new set of friends at LifeHouse.  All of you have been so supportive and, thanks to you, I was able to get past a drug habit…I thank God for all He has done to turn my life around…”
• “After my parent’s divorce, I just felt lost.  But I’ve met people at LifeHouse who really care about me.  Thanks for being so faithful.”

When fatigue sets in, when lights blow, when microphones fail and when the question arises, “so what?”, it’s helpful to remember the difference we can make in many lives.  It’s the difference between “so what?” and “so what more can we do?”

LifeHouse Theater continues to be a hub of activity as we conclude our current season with an amazing premiere musical and prepare for the beginning of our dazzling new 17^th season…

“PURSUED—A JONAH STORY” OPENS TO ACCLAIM

It has been a rich blessing to see “Pursued—A Jonah Story” open to standing ovations issued by audiences profoundly affected by the spiritual odyssey they have witnessed on stage.   This thought provoking new musical never fails to move me, challenge me, encourage me and inspire me.  I have already received several letters from guests expressing similar sentiments.  Many who have seen the production have told me they intend to come back and bring others.  It’s truly that kind of experience.  Please join me in inviting friends and family to share in this new musical adventure, now playing through September 19.

“LITTLE WOMEN” IN REHEARSAL TO LAUNCH OUR 17^th SEASON

What a joy it has been to meet personally with the dozen lead storytellers from the cast of our musical “Little Women.”  We recently spent two hours together analyzing the story and characters that have made this classic novel a favorite for generations of readers.  The new insights of our actors and the thoughtful homework and research they pour into their performances are part of what makes these stage productions so memorable.  Rehearsals have begun in earnest now under the direction of veteran actor Rick Arias, whom many will recall as the man who artfully directed our production of the acclaimed drama “Shadowlands”—the powerful C.S. Lewis stage biography.  In the next few weeks, Rick will spend more than 60 hours in rehearsals working with our dedicated acting team.  Please pray for all involved in this heartwarming story that so movingly portrays the values of loving family relationships, courage in adversity and faith in God—refreshing themes in this troubled time.

“LIFEHOUSE THEATER ON THE AIR”  MOVING  AHEAD

The SmartLifeStyle TV Channel is preparing for the promotion and premiere of our new weekly broadcast in September.  Our original musical “Pilgrim’s Progress” will launch the series, which will be broadcast to nine million subscribers in the United States as well as Central and South America.  Aired in six parts, the series features my introductions giving historical background for the story, as well as interviews with writer-composer Ken Wright and actor Shane Litchfield, who is featured as the pilgrim Christian.  I’ll be relating much more about our exciting series in coming weeks.  In the meantime, visit SmartLifeStyleTV.com and our own websites for the latest developments.

“Rikki-Tikki-Tavi” will be our newest audio drama release the second week of September.  It’s an action-packed story from Kipling’s “Jungle Book” that will delight everyone.  It joins “The Count of Monte Cristo,” “The Princess and the Pigs,” “Job—A Modern Man” and “Trapped in Aesop’s Fables” in this dynamic series of imaginative storytelling.  Our hilarious new rendition of “The Emperor’s New Clothes,” is next on our schedule of releases.

LIFEHOUSE THEATER OUTREACH  CONTINUES POPULAR TOUR

Christ Community Church (Moreno Valley, October 3), The River Church (Redlands, October 17) and San Jacinto First Assembly of God (December 3) are among the upcoming stops for “A Song In My Heart,” the LifeHouse touring production under the direction of Eric Bishop.  This dramatic portrayal of stories behind great hymns has been well received by enthusiastic audiences.   The production comes to LifeHouse Theater for special performances in January.  For the latest information and “behind-the-scenes” insights, be sure to visit our LifeHouse Theater Outreach website.

“Among all great amusements, there is none more to be feared than the theater.”

–Blaise Pascal (1623-1662)

Sir Ralph Richardson once electrified an opening night audience and other members of his cast when he suddenly stepped out of character in mid-scene.  He turned toward the auditorium and shouted, “Is there a doctor in the house?”  When one stood, the acclaimed actor asked, “Doctor, isn’t this play awful?”

Like Richardson, we would be wise to bring our judgment along with us when we attend the theater.

The great French mathematician and philosopher Pascal knew of what he spoke when he observed that theater is something to be feared.  The power of the pen working from the page to the stage is indisputable.  Shakespeare echoes the idea with his rhetorical question: “Know you how much the people may be moved—by that which is uttered on the stage?”

We cannot fear that which has no influence.  And if something has influence, it likely contains meaning—a message.  Francis Schaeffer’s observation that “all art has a message” rings true and the ability of the theater to convey a message makes it a powerful medium.  Thus we may discern that stage entertainment such as “Mary Poppins” contains, among many messages, the ideas that childhood innocence is worth protecting and that parents too busy to raise children ought to pay closer attention to them or suffer the consequences.

So if and when we attend “Wicked,”  or  “A Chorus Line” or “Sweeney Todd,” or “Rent,” are we accepting their “entertainment” at face value or are we asking ourselves, “what are the various messages these stage works contain?”  We can be sure that the respective writers and composers want us to contemplate both the messages and the worldviews they have, without question, inserted into their works.  It is then up to us to discern how our viewpoints square with theirs.  Are the messages redemptive? Are they worthy of application to our own lives?  Why or why not?

Time magazine reported many years ago that six like-minded businessmen pooled their considerable financial resources to invest in the development of a new stage musical.  That musical went on to become a box office bonanza, a national tour and a movie.  This particular musical contains a number of messages and world views I find abhorrent. If I shared the title with you, I suspect you would find the content and views expressed as reprehensible as I do. (Like the Apostle Paul’s “thorn in the flesh,” however, I will not reveal the specifics in the hope you will think critically about what you yourself have seen presented on stage and in film).  The six businessmen, however, supported these messages and wanted them in the marketplace of ideas that theater provides.  They were so intent on using the shiny bait of “entertainment” to convey their misguided “message” and hook audience members, they were perfectly willing to risk—and lose—hundreds of thousands of dollars in the effort.  And, by the world’s  standards, they were successful.

While I disagree wholeheartedly with the aim of these businessmen, I have to grudgingly admire their willingness to risk so much to convey so little that is redemptive.  I would love to open Time magazine one day to read about six businessmen of faith who are joining together to bankroll a substantive,  inspirational production that conveyed values most societies have traditionally upheld.

In the meantime, when we consider watching a play or film, may we remember that we are paying to have someone’s point of view pumped into our heads.  We are paying to give someone the keys to our hearts and minds. We are paying to give someone considerable power.

If we agree with Schaeffer that “all art has a message,” are we choosing what to absorb wisely?

Now that “The Little Mermaid” has concluded its popular run of successful performances,  all of our focus is on the premiere of LifeHouse Theater’s latest new musical, “Pursued—A Jonah Story.”  Opening on Saturday evening, August 21, this fresh and innovative look at the beloved Old Testament account will arrest your senses and pull you into another time and place.  It is an unforgettable journey well worth taking.

I cannot convey how excited I am about this production.  In my capacity as Executive Producer, I have prowled about the theater during select rehearsals, silently lurking  unobserved in corridors and backstage, taking in the highly creative process of mounting a new musical—one that has been two years in the making.

The music is epic and evocative.  The vocals are stunning—some of the finest singing in LifeHouse history.  The cast of storytellers is packed with veteran performers whose combined experience would easily add up to a century or more.  Their expertise and dedication shows.  The story is powerful, inspiring and the kind that causes me to search my soul.  I will never think of Jonah the same way again.  And my hope is that you will have the same experience.

How well I remember first discussing the concept for this production with Dr. George Christison over two years ago.  His unique approach to this amazing story captivated me from the first draft.  It is truly rewarding to see all that George has carefully researched and written now come to life.

As I turn my pen over to George, he has graciously offered to share some of the mystique of Jonah as well as his own thoughts about what makes Jonah’s story so compelling and convicting…

What to make of the book of Jonah?  It is regarded as a masterpiece of ancient Hebrew literature.   It is tiny – in some Bibles it fits on just two pages -  48 verses packed with surprising events and powerful emotions.  Viewed through our storytellers’ eyes, two questions pulsate at the book’s dramatic core.

First, about Jonah:  there is reason to believe that he was not inherently rebellious toward God.  We know he was a true prophet – a man through whom God spoke.  We can tell from his book that Jonah was deeply acquainted with God’s compassion and abundant  lovingkindness.  It is not a leap to presume that Jonah knew personally of God’s love, and loved Him in return.

What would bring such a man to the point of rejecting his calling from God and to run as far away as possible?

His reasons must have been very powerful – and likely very personal.  The Bible is nearly silent on this.  No flashbacks.  No back story.   To avoid engaging in wanton speculation about personal events motivating the historical Jonah, we chose to re-tell the story through the eyes of a similar prophet living in another time in an imagined place on Earth.   And yet with the same God.

God is the focus of the second dramatic question at the core of this dense little book.  God wanted a prophet to preach to Nineveh.   Jonas refused and ran away.  Why didn’t God move on and just choose someone else?

Why did God pursue Jonah?

These questions drive the story we present, a story that parallels, and hopefully illuminates, that of the historical Jonah…

Live theater is both exciting…and terrifying.

One can never know for certain what will occur once the curtain rises and the production begins.  So many variables lurk on stage—and beyond.

Surprises on Stage:  When Things Go Wrong

Veteran actor Barry Sullivan, star of stage, film and television, was once playing the lead in Shakespeare’s “Richard III.”  During one evening’s performance, Sullivan came to the famous lines, “A horse! A horse!  My kingdom for a horse!”  A heckler shouted: “Wouldn’t a jackass do for you?!” “Sure!” roared Sullivan, “come on up!”

While Sullivan’s predicament is not typical, strange and sudden developments do occur during live productions.  Only last weekend, our LifeHouse Theater Outreach had just begun a touring performance of “A Song in My Heart” at Harvest Fellowship in Riverside when the acting company and several hundred audience members were plunged into darkness without warning.  The blackout was temporary, the performance was able to resume within minutes, and all ended happily—but the first moments of darkness were unnerving.

The best stage actors and actresses are wise to have a mental Plan B and Plan C when Plan A is suddenly nowhere in sight.  Expecting the unexpected is part of what makes acting on stage such a challenge.

And isn’t it “the unexpected” that makes Life such a difficult challenge?

Surprises in Life: A Dog’s Lesson

I love dogs.  They have been an important part of my entire life.

My dog Jake was a big, hairy, drooling, brainless-but-lovable Shepherd-Collie mix.  He was a cross between a bear and a buffalo.  As with most dogs, his life was a predictable cycle of eating and sleeping—a simple world for a simple mind.  But that world was disrupted one memorable day when I needed to take Jake for his first visit to the vet’s office.  It was time to get his vaccinations and I’m convinced he suspected as much.

Getting a leash on him was part mud wrestling and part rodeo.  Once the deed was done, Jake managed to get his leash tangled in a wheel of my lawnmower.  He dragged the mower across the yard to a gate, where it jammed, leaving him panicked and bug eyed.  In Jake’s mind, the mower had sprung to life and was now in hot pursuit of gobbling him up.  His mad attempt to escape the clutches of the Evil Mower only served to tighten the leash around his neck.  Although I rescued him from choking to death, the worst was yet to come.

Driving to the vet’s office was a breathless whirlwind of flying fur, dripping drool, pant-pant-panting, tail-in-the-face chaos.  Jake wanted none of it, but we arrived at last.  Though I was a lonely band of one, I bravely began the five-person job of getting Jake inside the office.  All four of his feet morphed into superglue mode, each paw digging into the pavement as I summoned all my strength to drag him in. The Great Tug-of-War was on.  Heave-ho! Heave-ho!…

Finally…I could just reach the door handle.  The people in the waiting room burst into applause.  And just as victory seemed within my reach, a girl holding a box of kittens unwisely approached us.  She was followed by an unsuspecting elderly woman carrying a box of Chihuahuas…Poor, innocent bystanders…I don’t have it in me to reveal what happened next, but I have survived to tell the tale.

Jake joined me in this ritual for the next fourteen years.  Among the reasons he will always hold a special place in my heart is that Jake helped me to see myself in him.

I dislike the unexpected. I prefer to have life run smoothly and predictably—on my terms and within my boundaries.  When the unexpected occurs, as it inevitably does and inevitably will, I catch myself going into “Jake mode.”  I dig in and sometimes have to be dragged along.

When I was at a crossroads years ago, praying about whether to launch a company that eventually became known as LifeHouse Productions, I feared all the unknown, unexpected challenges that I imagined were looming ahead.  Leaving a secure job to follow a calling is never easy.  I didn’t like the prospect of change and dreaded the specter of the unexpected. Deep down, I hoped to stay in a predictable, secure routine. I wanted to “dig in,” stand pat and stay put. But was that what God wanted?  It was 1991—time for Jake’s first visit to the vet—and time for the lesson that God used Jake to teach me.  “Trust in the Lord with all your heart…”

A Lesson from Nehemiah

Relying upon God instead of my own strength in the face of the unexpected is a lesson I still find myself flunking and having to repeat. Ironically, life at LifeHouse is full of ongoing change and unexpected events, so I have many opportunities to get it right.  (You’d think I would have by now, wouldn’t you?)  In an effort to be a better student of what God wants me to learn, I’ve been rereading the book of Nehemiah.

Nehemiah despaired over the Jews losing their identity. There was no wall designating a unified territory for them in Jerusalem, so Nehemiah set out to change the status quo.  In chapter two of his book, we read that Nehemiah dared to place his career—and most likely his life—in God’s hands when he spoke to the king about rebuilding the wall and making Jerusalem a truly Jewish city.  This was a tremendous, unexpected change!

By God’s grace, the king granted Nehemiah’s request.  The king’s permission, however, brought unexpected opposition.  Two officials, Sanballat and Tobiah, preferred the political convenience of keeping everything the same.  Their “don’t rock the boat” attitude is evident in 2:19 when they ridicule Nehemiah and ask, “What is this you are doing?”  In characteristic faith, Nehemiah models what our response to the challenges of change and the unexpected should be when he answers: “The God of heaven will give us success.”

Humanly speaking, “the unexpected” and accompanying change can be a weighty burden. We sometimes wring our hands and allow our vain imaginations to take over—causing us to worry about the future and fret over the potential of change.  But doubt in the midst of the unexpected is best left to the Sanballats and Tobiahs and Jakes of the world.

God calls us to a higher, more confident response.  He calls us to seek His will, to do His will, and to trust Him in the process.  It isn’t quick, it isn’t easy, but…the God of my life, of your life, and of LifeHouse Theater is one and the same—sovereign, all powerful, and absolutely in control.  Unexpected events are not our favorite first choice of options, but they do appear to be part of God’s design—tools He uses to grow us into maturity.

When unexpected events and changes suddenly crop up—whether on stage or in life—it’s important to remember that none of it surprises God nor catches Him “off guard.” May we join Nehemiah in facing the unexpected with the confident certainty that “The God of heaven will give us success.”

© Copyright MMX Wayne R. Scott

It’s a blessing to report that the return of our “Little Mermaid” musical has been well received and highly attended.  Guests have been commenting on the beautiful set and singing.  Laughter is filling the theater and children are lining up to get autographs of their favorite characters.  We are, however, approaching the final performances. If you haven’t already, be sure to reserve your seats and join us before our silly sea saga goes out with the tide.  We’re also offering our special weeknight performance on Thursday, August 5^th, at 7:30 PM before our final August 8^th performance.

LifeHouse continues to be a dynamo of activity this summer on many fronts.  Among the highlights:

• “Pursued: A Jonah Story” continues in rehearsal under the skillful direction of Sarah Ayotte. She reports that the cast of this latest new musical from LifeHouse is excited and energized as they work to bring our fresh perspective on the ancient biblical story to life.   Dr. George Christison has spent most of the last two years researching, writing and work shopping this unique look at a compelling story of God’s merciful compassion for His people and His relentless pursuit of a wayward prophet. You will never look at the story of Jonah in the same way after you experience the adventure of
  his life’s mission and his relationship with God.

Orchestrator Daniel Semsen, who gave us the beautiful music of this season’s “Pride and Prejudice,” is transforming composer Amy Muthersbaugh’s rich melodies into a lush, epic score that compliments the unique universe portrayed on stage.  The amazing events of the story combine with evocative choreography, colorful costumes, arresting stage combat and riveting performances for an unforgettable theater experience.  Dustin Ceithamer leads a cast of LifeHouse veteran all-stars, including Nathan Riley, Hannah Ayotte, David and Sarah Christison, Jonathan Bushey, Mark and Lauren Mosher, Tim and Leah Simpson, Chris and Cathy Flores and many others.

Be sure to spread the word about “Pursued: A Jonah Story” (August 21-September 19) and consider organizing a special group from your church, office or other organization to join us.

• LifeHouse Theater Outreach is changing lives under the leadership of Eric Bishop as the touring company of “A Song in My Heart” continues performing throughout the Inland Empire.  This production depicting the true stories behind great hymns of faith recently made an amazing impact when it was presented at the Chino Women’s Prison.  You can read the touching stories of lives transformed by following the link to LTO’s website.  You’ll also find all the latest information about upcoming performances. “A Song in My Heart” features the talents of Jeremy Yeo, Aaron and Peter Milligan, Tim and Leah Simpson, Amy Muthersbaugh, Jason Robbins, Jennifer DeWitt, Emily Yeo, Jennifer Small, Jonathan Bushey, Richard Bennett and many others.  The production will also be returning to LifeHouse Theater for encore performances in January, 2011.

• LifeHouse Theater On-The-Air audio dramas on CDs and stage presentations recorded live on DVD will be represented at a variety of marketing conventions beginning August 7 in Ontario, CA through the remainder of this year and well into 2011 at locations around the nation.  Audio dramas “Trapped in Aesop’s Fables!” and “Rikki Tikki Tavi” will be released in early August, joining “The Count of Monte Cristo,” “The Princess and the Pigs” and “Job: A Modern Man” in the growing series.  The editing work on DVD versions of “Pilgrim’s Progress” and “Peter Pan” has recently been completed and post production work on “Beauty and the Beast” and “Unto Us: A Nativity Story” is nearly finished as well.  These titles will be joined by several others, including “Robin Hood,” “Pride and Prejudice,” “Ecclesiastes,” “Esther” and “Cinderella” for release between August 7 and late September.

LifeHouse Theater On-The-Air television broadcasts will premiere on the new SmartLifeStyle TV channel in September.  We’ll have many exciting details to share in our next newsletter.  Be sure to check out our new website for all the latest broadcast news and related links.

• Casting is underway for the first musical of our new 2010-11 season, “Little Women.”  Auditions brought many talented performers from all areas and walks of life—a terrific blend of new faces and favorite veterans.  The cast will be announced August 17 on our website and director Rick Arias is preparing for the start of rehearsals August 24.

Please join me in prayer for all these ongoing activities and for God’s favor in outreach as we prepare for the launch of our new 17^th season.  I deeply appreciate your prayer partnership and look forward to seeing you soon here at LifeHouse Theater.

What do auditions have to do with liars, you ask?

Pablo Picasso once noted, “Art is a lie that makes us realize the truth.”  The same may be said of musical theater.

Audiences instinctively know that what they see on stage isn’t real.  And yet, if we skillfully execute “the lie” through believable deceptions of acting and artifices of scenery and staging, the audience may suspend disbelief long enough to appreciate the entertainment and universal truths conveyed through the theatrical arts.

It is up to all of us on the production team to support the storytellers on stage.  Working together, we must succeed in deceiving our audiences into thinking they have magically sunk to the ocean depths into the world of “The Little Mermaid.”  Or we have to convince them they have stepped into the nineteenth century milieu of “Little Women,” “Scrooge” or the settings of so many grand stories from that era and countless others.

So in effect, when we conduct auditions, we’re looking for a pack of credible liars!

With so many auditions conducted throughout the year at LifeHouse, a look “behind the scenes” at the process may be in order to demystify what can seem like an ordeal.

The Necessity of Auditions

Academy award-winning character actor Martin Landeau recently stated, “Ninety percent of directing is casting.”  While one could quibble over the percent ratio, I generally subscribe to Landeau’s view. While the audition process is imperfect, it is still vital.  Casting storytellers into roles requires the best possible fit and auditions do help.  Meeting potential performers and casting from their ranks is the final frontier before the nitty gritty of rehearsal begins.

The audition process is also what many have come to regard as a necessary evil.  I agree the process is both necessary and evil.

The audition process is necessary because it has stood the test of time as probably the most efficient way to discern “talent.”  No one seems to be able to definitively describe “talent,” but most of us know it when we see it.  Auditions are efficient because they make it possible to match talented actors to roles in as reasonable a time as possible.  Seeing a “micro performance” from each auditioner who individually sings, reads and dances, helps the audition panel of judges envision what the performer can do.  Can the actor be pictured in a leading role?  Perhaps a supporting role?

The panel—usually comprised of the producer, director, music director, choreographer and perhaps an acting coach—may also assess an auditioner’s vocal range and acting acumen.   Further considerations are mundane but necessary variables such as age, height and build.  No one wants to see munchkins tower over Dorothy. The panel must also ask if the performer can move.  Can the performer dance and sing at the same time?  It’s harder than it looks.  And consideration must be given to elusive intangibles such as charisma and confidence.  And, oh yes.  If you want to play Anne of Green Gables, will you dye your hair red if it isn’t already?  Meeting performers during auditions helps determine these matters.

The “Evil” of Auditions

So how is the necessary evil of auditions necessarily evil?  Let us count the ways.  Judgments about those auditioning are undeniably subjective. Yes, the audition panel could be wrong about its final casting choices. (But don’t tell this dirty secret to the performers chosen for the cast—they think the panel is beyond brilliant).  There is also something evil about having to make snap decisions based on an audition that is typically over in a matter of seconds.  Can one truly discern in mere seconds the sum total of a performer’s talent, experience, strengths and potential?  It’s routinely done this way on Broadway and has been for years. But still…

And then there’s the fright factor.  Even polished pros can find auditions nerve wracking and gut wrenching.  In the 26 years I have presided over auditions, I have seen rattled performers burst into song, burst into tears, burst into laughter, and just plain burst—bolting in a sudden scramble for the nearest restroom.  Blessedly, the latter situation is extremely rare.  In truth, LifeHouse auditions are generally of high caliber and offer ample evidence of the richness and diversity of the Inland Empire talent pool.

As one who was pleased to master tying my shoe laces by the fifth grade, I am especially in awe of the talented young people who audition at fairly tender ages.  It takes courage to perform before a panel of stoic strangers at any age, let alone at age ten. (I could not have done it at that age and I didn’t).  On the positive side, the poise and professionalism of so many youngsters we see throughout the year gives us hope for the future of our society.

The Work of the Audition Panel

Commentator Andy Rooney has observed, “I’d have more respect for actors if there weren’t so many people who do it well.”  The competition is truly keen.  The “talent pool” is larger and deeper than many may realize.

It is therefore with a sense of deep humility and sober responsibility that I deliberate with the audition panel.  We pray.  Resumes, photos, notes and ratings are examined and re-examined.  Discussion ensues.  There is a mental mixing and matching of performers and roles.  Hours pass.  Some choices seem obvious and easy.  Other selections prove difficult and require more discussion. And, since the ancient Egyptians, more women audition than men—and no one really knows why.  That disparity must also be addressed more often than not. Sometimes recruitment becomes necessary.

Finally, a consensus emerges.  There is a palpable peace about the final cast list.  We’re excited.

We’re also relieved.  Sometimes I cannot bear the thought of hearing one more refrain of “raindrops on roses” or one more reminder that “the sun will come out tomorrow.”  By two in the morning after a night of hearing “the sun will come out tomorrow,” I no longer care if it does.  And that’s not like me. But hearing it over and over would bring out the worst in anyone, wouldn’t it?  After a dozen renditions, I sadistically root for something else to come out tomorrow.  Perhaps a rising volleyball.  Maybe a banana.  Anything but the sun.

At last the casting results are posted on our website.  Many who have hovered over their computers in rapt anticipation of the cast list will find a thrill.  Others will be understandably disappointed.  I well remember such disappointments in my own youth—and beyond.  If we’re open to them, there are often good life lessons to be learned in these times of disappointment.

Helpful Audition Hints

Some thoughts to keep in mind when you prepare to audition—

• Have a clear, concise and neatly presented theatrical resume—a summary of your experience—ready to submit along with a flattering photo.
• Come to the audition prepared to sing 16 bars of the song of your choice, making sure you bring sheet music in the correct key.
• Be familiar and comfortable with what you decide to sing.  “Simple done well” is better than “ambitious done poorly.”
• It’s wise to sing something the panel is likely to know.  If they are wondering about what you are singing, they’re not focused on your talent.  It is also more difficult for them to assess whether you sang accurately.
• Practice in front of others who are likely to give you honest and helpful feedback.  See how you look in a mirror as you practice and check your inventory of facial expressions.

If you don’t make the cast after an audition, don’t give up.  My hope for all who are not included is that the initial discouragement will bloom into a resolve and determination to try again.  And again.

Sometimes it takes a bit of seasoning to become a successful stage “liar”—the kind who can convince audiences that illusion is reality.

And, of course—no matter what the outcome—we can all be encouraged by remembering the sun will come out tomorrow.  Bet your bottom dollar.

Be prepared to groan as you read this…”The Little Mermaid” has been launched, the performances have been going swimmingly, and I think you’ll not only have a whale of a time diving into the story, you’ll also be reel hooked as you watch the “boy meets gill” romance,  themes of unshellfish devotion,  and comedy that is shore to keep you laughing to the fin-ish… All right, I think I have it all out of my system!

It’s been about a dozen years since we have attempted to mount our original musical, “The Little Mermaid,” and I think you’ll technology we didn’t have when our musical first premiered and the results are delightful.   As He always seems to, God graciously gave us a well received opening.  Audience comments have been quite positive. Please join us between now and August 8th and share in the fun of our soggy saga!  Hope to “sea” you there.

Meanwhile, “Pursued: A Jonah Story”  has begun rehearsals under the outstanding direction of Sarah Ayotte.  This is an ambitious, powerful change-of-pace production that will creatively challenge our thinking and provide new insights into an amazing story.  “Pursued” is a fresh, yet faithful interpretation of Jonah’s biblical story.  Our staging parallels the events of the Book of Jonah in an exciting setting that makes the events highly accessible to today’s audiences.  The inspiring focus is on God’s caring compassion and His relentless pursuit of our hearts and minds—even when we try to outrun Him.

Will you consider assembling special church groups, inviting friends, family and co-workers,  and also enfolding folks new to LifeHouse? I appreciate anything you may do to help be an ambassador for our arts outreach.  In these challenging times, we are more grateful than ever for your support!

We also continue to be as busy as ever this summer.  Among many current and upcoming activities at LifeHouse—

• Our LifeHouse Theater Outreach touring production of “A Song In My Heart” is making appearances at Chino Women’s Prison and Harvest Fellowship.

• We are preparing our marketing campaign for the national release of our new LifeHouse Theater On-The-Air audio drama series on CD and our DVD editions of our musicals recorded live on stage.

• Auditions for the first production of our new 17th season, “Little Women,” are coming up on July 29th.

• A special night of inspirational music and singing is planned for Sunday evening, August 1, 6:30 PM, here at LifeHouse Theater.

I look forward to all that is coming up at LifeHouse and to sharing in it with you!

I recently discovered some surprising information.

It’s true we live in a media-saturated culture—but I’m not sure I realized just how saturated until I read some startling statistics.  Would you believe that 447 new movie theaters have opened in the last two years?  And, according to Neilsen Media, 167 of these theaters have at least 16 screens.

Many movies, of course, are released as DVDs.  Video Business Magazine observes that over 77 million DVDs and videos are rented every week.

And, while 80 million people attend church every weekend, 120 million people will go to the movie theater.  With regard to cultural priorities, the figures seem to speak for themselves.  And movie attendance has further spiked with the recent record-breaking opening of the latest film in the “Twilight” vampire series.

What about the content of what people are watching?  Sobering research by the Kaiser Family Foundation reveals that 89% of all movies contain sexual activity.  Not surprisingly, this is also true of 80% of daytime television soap operas.  But it is also true of 84% of television sitcoms. And Focus on the Family has discovered that 65% of all U.S. children have a television in their bedroom.

I enjoy watching movies and television.  But I won’t watch just anything and I hope you won’t either.  It’s easy to forget that our media mania is not just the intake of mere entertainment.  When we watch what’s on the screen, we’re absorbing specific points of view.  And, let’s face it, some of these worldviews are pretty toxic.

Francis Schaeffer reminds us, “all art has a message.”

In effect, when we attend movies, we’re paying ten dollars or more to have someone’s point of view pumped through our eyes and ears and into our minds.  We’re also voting approval of these points of view with our wallets.  Likewise, when we pay our bill for TV service, we’re helping to subsidize our own personal bombardment of media messages—whether it’s the latest ad campaigns or the themes depicted in “Desperate Doctors” or some such program.

I would never presume to tell anyone what they should or should not watch.  I’m not a fan of heavy handed censorship.  I cherish personal freedom.  But I’m also an advocate of personal responsibility.  And if I agree with Schaeffer that all art has a message—and I do—there’s a silver lining in what C.S.  Lewis adds: “Art in service to nobility is sublime.”

Charles Colson’s engaging book “Against the Night” makes the point that we live in a new Dark Age.  In Colson’s view, spheres of influence—especially media—have been taken over by secular barbarians. This has largely been made possible by the many people of faith who have essentially “rolled over” and “played dead” while the barbarians have taken over spheres of influence in government, education, journalism, film, television, the arts and other cultural categories.

Colson makes the case that people of faith with a commitment to God’s eternal kingdom need to spend less time complaining and more time competing in the marketplace of ideas with the goal of recapturing important spheres of influence.   Jesus literally walked in the marketplace interacting with people from all segments of society.  As R. C. Sproul has observed, we too need to “get in the game, get engaged and make a difference.”

Obviously, Colson’s clarion call for action has profoundly influenced me.  The founding, mission and ongoing work of LifeHouse Theater is an act of answering the call to make an eternal difference in lives on both sides of the theatrical stage—actors and audiences alike.  We seek to tell inspirational stories with redemptive themes that offer uplifting life perspectives.

I am so grateful to all who have joined us in outreach.  And I deeply appreciate the many others helping us behind the scenes and through financial support. We have seen countless lives changed for the better.  Working together with God’s help, we can continue to be salt and light in our corner of the world as we seek to redeem the arts for the Author of all creativity.

Utilizing the theatrical arts in service to nobility is a terrific antidote to our culture’s media mania.  If you haven’t already, will you consider joining with us?

©Copyright MMX Wayne Scott-LifeHouse Productions, Inc.

I cannot recall another period in our history when LifeHouse Productions has more resembled the proverbial beehive of activity.  What an exciting time!

• COMING UP ON STAGE

Our stellar cast of “Esther” just completed a well attended performance run and now our “Little Mermaid” team isworking hard to present a dazzling new incarnation of this LifeHouse favorite.  There’s a new storyline, new set, new choreography, new costumes and many new surprises.  Emily Lopez is charming in the title role and she is joined by hilarious LifeHouse veterans Jonathan Blair, Amy Bell, Rick Arias and an ocean full of terrific talent.  Anyone who likes to laugh will have a lot of fun with this one.  And we are beginning rehearsals for “Pursued: A Jonah Story,” which promises to reveal amazing insights into the famous biblical account.

• OUR STELLAR NEW  17^th SEASON

Intense planning is underway for the launch of our new 2010-11 17^th season.  Yes, I’m biased, but…with titles like “Revelation,” “Ruth,” “The Jungle Book” and “Les Miserables,” who on earth would miss any of it?  This month is the time to get the very best value on a season subscription. 

We are also looking forward to our “Scrooge” Season Special at Redlands’ Clock Auditorium.  This new Inland Empire Christmas attraction promises to be a powerful outreach and may establish a new community tradition.  It’s not too early to spread the word about this special presentation as we hope to host several thousand people at the auditorium this December.  If your church group or organization would like to join us, please let us know.

• LIFEHOUSE THEATER ON THE AIR

We are also about to release two new audio dramas, “Trapped in Aesop’s Fables” and “Rikki Tikki Tavi”—delightful presentations that will enchant everyone.  Our new “LifeHouse Theater On The Air” television series will begin next month with the premiere of “Pilgrim’s Progress” on BrightStar’s SmartLifestyle channel.  I’ll also be attending marketing conventions for the promotion of our new audio and DVD series throughout the summer.  You’ll be hearing much more about these exciting series in the coming weeks.  And be sure to look for feature stories coming up in The Christian Examiner and many other Inland Empire media publications.

I’m especially keen on sharing with you the latest news regarding our newest endeavor—LifeHouse Theater Outreach (LTO).   It’s already having a mighty impact.  LTO is a revival of our touring company under the leadership of Eric Bishop.  Eric is directing and coordinating “A Song In My Heart,” a celebration of well known classic hymns and the stories behind them.   The outstanding reception this production experienced at LifeHouse last autumn prompted Eric to pray about whether to help us take it “on the road.”  God has been opening doors ever since.

If you’ll glance over my shoulder, so to speak, take a look at this letter that just crossed my desk written by a pastor whose church hosted “A Song In My Heart”…

“Your theater group delivered a marvelous play.  It was heart touching and eye opening. It isn’t every day that someone is able to crack open a door to the past and unite three generations of audiences.  Our young people will always remember the lives behind the music and our seniors relived some great old songs and stories that seem to have gotten misplaced.  Even our children loved it and were captured by the interesting story line and songs.  I highly recommend “A Song In My Heart” to any church interested in assisting their members to gain a much higher appreciation of the traditional songs which have been handed down for generations.  Thank you again for a well thought out program which was only matched by an outstanding performance…”

Would you consider two action points in light of what you have just read?  First, please pray for upcoming performances of this play.  Amazingly enough, it will be performed July 17 at the Chino Women’s Prison.  Over 350 inmates are expected to witness these touching stories and hear the incredibly redemptive and uplifting lyrics to the hymns as they are sung.  Pray that hardened hearts will melt and be open to God’s grace…Also, please pray for performances at Harvest in Riverside on July 24 at 6 PM—where a thousand guests are expected to attend—and for additional church performances in August…And secondly, please consider whether your own church or other organization might be a good venue to host this production.  If so, contact Eric through our box office and he will be happy to make the arrangements.

Please know what a blessing your interest in our work is!  We cannot exist without your involvement and support, and we never take either for granted.  We’ll continue working to earn your confidence and appreciate your joining us in prayer for God’s hand on all our activities under the LifeHouse Productions banner.